An acting resume follows its own rules: one page, credits grouped by medium, then training and special skills. Start from a clean template, then borrow the structure from real actor resumes across film, stage, and screen.
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Every template below is a real acting resume laid out in that style, filtered by the kind of work you do. Pick one, then swap in your own credits, training, and special skills. Each keeps the one-page, credits-by-medium structure a casting director expects to see.
































Pick a template above, follow the credits-by-medium structure from the example that fits you, and swap in your own roles, training, and special skills on one clean page.
Build my resumeAn acting resume is not a work-history resume. It is one page, it groups credits by medium, and it lists roles, training, and skills without duty bullets. These rules are what tell a casting director you know the business.
Fit everything on a single page, headshot on the back for in-person submissions. Start with your name, contact through your rep or a professional email, and your vitals: height, hair, eyes, vocal range, and union status. A representation line goes here if you are signed.
Height 5'7", Hair Dark Brown, Eyes Brown, Mezzo. SAG-AFTRA. Represented by Crestline Talent. Headshot and reel available on request.
Give each medium its own section and list the strongest work first. Film and television always sit in separate sections; combining them reads as unprofessional.
Training tells casting how you work. Name the school or conservatory, then the master classes, private coaching, and workshops, with the teacher's name where it carries weight.
List physical stats and skills a role could actually call for: vocal range and type, dialects (only trained ones), stage combat, dance styles by level, instruments, sports, and driving. A padded skills list that falls apart in the room costs you the next audition, so claim only what you can do on demand.
A new actor never invents a professional role. Build the resume from what is real and let training carry it.
One page, with your name and vitals (height, hair, eyes, vocal range, union status) at the top, then credits grouped by medium, then training and special skills. List roles, not duty bullets. For in-person submissions, staple it to the back of your headshot.
Group them by medium and keep film and television separate. For film and TV, list the title, your role type (Lead, Supporting, Co-Star, Recurring, Guest Star), the production company or network, and the director. For theatre, list the show, your role, the theatre, and the director.
Lead with training, then list student films, school and community theatre, staged readings, and self-produced work, labeled honestly. Never invent a professional credit. Add your type, vitals, and castable special skills, and keep it to one page.
Only skills a role could call for and that you can do on demand: vocal range and type, trained dialects, stage combat, dance styles by level, instruments, sports, and driving. Do not list an accent as a skill unless you have trained it, since casting will test it.
The format is the same one-page structure, but you reorder it. A theatre resume leads with stage credits and classical training; a film or TV resume leads with screen credits and on-camera skills. Put the section with your strongest, most relevant work first for the role you are submitting for.
A clean, single-column layout with clear section headings reads best and is what most casting directors expect. A creative job does not mean a graphic-heavy resume. The templates above keep the credits-by-medium structure while offering a range of looks for general and portfolio use.
Pick a template above, follow the credits-by-medium structure from the example that fits you, and swap in your own roles, training, and special skills on one clean page.